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Odette Elix England – Isn't X Beautiful!
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Odette Elix England – Isn't X Beautiful!

Odette Elix England – Isn't X Beautiful!

Writer and artist Odette Elix England (born 1975) first crossed paths with photography – and, crucially, the letter X – as a child on her family’s 200-acre dairy farm in Southern Australia, watching her sharecropping father make SX-70 Polaroids of cattle in the springtime. In Isn’t X Beautiful!, an autobiographical reckoning with family memory, the fate of that plot of land and the history of photography are tangled and bound at every turn with the ubiquitous letter X: shadowy character, placeholder for nothing and everything, age-old stand-in for the indefinable. Teeming with free-associative factoids, humour and philosophical tangents, and written with the obsessive idiosyncrasy of Tim Carpenter’s To Photograph Is to Learn How to Die, England’s ambling 10-chapter tale is an extended meditation on the blind spots of personal narrative and the functions (and limitations) of photography in our personal and creative lives.

$9.98

Original: $28.52

-65%
Odette Elix England – Isn't X Beautiful!

$28.52

$9.98

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Odette Elix England – Isn't X Beautiful!

Writer and artist Odette Elix England (born 1975) first crossed paths with photography – and, crucially, the letter X – as a child on her family’s 200-acre dairy farm in Southern Australia, watching her sharecropping father make SX-70 Polaroids of cattle in the springtime. In Isn’t X Beautiful!, an autobiographical reckoning with family memory, the fate of that plot of land and the history of photography are tangled and bound at every turn with the ubiquitous letter X: shadowy character, placeholder for nothing and everything, age-old stand-in for the indefinable. Teeming with free-associative factoids, humour and philosophical tangents, and written with the obsessive idiosyncrasy of Tim Carpenter’s To Photograph Is to Learn How to Die, England’s ambling 10-chapter tale is an extended meditation on the blind spots of personal narrative and the functions (and limitations) of photography in our personal and creative lives.

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Writer and artist Odette Elix England (born 1975) first crossed paths with photography – and, crucially, the letter X – as a child on her family’s 200-acre dairy farm in Southern Australia, watching her sharecropping father make SX-70 Polaroids of cattle in the springtime. In Isn’t X Beautiful!, an autobiographical reckoning with family memory, the fate of that plot of land and the history of photography are tangled and bound at every turn with the ubiquitous letter X: shadowy character, placeholder for nothing and everything, age-old stand-in for the indefinable. Teeming with free-associative factoids, humour and philosophical tangents, and written with the obsessive idiosyncrasy of Tim Carpenter’s To Photograph Is to Learn How to Die, England’s ambling 10-chapter tale is an extended meditation on the blind spots of personal narrative and the functions (and limitations) of photography in our personal and creative lives.