Helene Schmitz - Borderlands
Contradictory beauty and multifaceted transience characterise the photographs of spaces and landscapes by Swedish photographer Helene Schmitz. Her series āEarthworksā (abandoned rooms filled with sand) and āSunken Gardensā (an overgrown butterfly farm in the jungle) even approach a kind of claustrophobic serenity in their closeness and sense of intrusion. Similarly, āKudzu Projectā portrays another kind of suffocation, wherein she turns her lens on the overwhelming tendencies of a specific plant. Schmitzās work thus makes us question our preconceptions of nature. Published on the occasion of an eponymous exhibition at Dunkers kulturhus in Helsingborg. Thanks to Art and Theory PublishingĀ (Stockholm).
80 pages, 28 x 24 cm, hardback,Ā Art and Theory Publishing (Stockholm).
Ā
More Images
Helene Schmitz - Borderlands
Contradictory beauty and multifaceted transience characterise the photographs of spaces and landscapes by Swedish photographer Helene Schmitz. Her series āEarthworksā (abandoned rooms filled with sand) and āSunken Gardensā (an overgrown butterfly farm in the jungle) even approach a kind of claustrophobic serenity in their closeness and sense of intrusion. Similarly, āKudzu Projectā portrays another kind of suffocation, wherein she turns her lens on the overwhelming tendencies of a specific plant. Schmitzās work thus makes us question our preconceptions of nature. Published on the occasion of an eponymous exhibition at Dunkers kulturhus in Helsingborg. Thanks to Art and Theory PublishingĀ (Stockholm).
80 pages, 28 x 24 cm, hardback,Ā Art and Theory Publishing (Stockholm).
Ā
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Contradictory beauty and multifaceted transience characterise the photographs of spaces and landscapes by Swedish photographer Helene Schmitz. Her series āEarthworksā (abandoned rooms filled with sand) and āSunken Gardensā (an overgrown butterfly farm in the jungle) even approach a kind of claustrophobic serenity in their closeness and sense of intrusion. Similarly, āKudzu Projectā portrays another kind of suffocation, wherein she turns her lens on the overwhelming tendencies of a specific plant. Schmitzās work thus makes us question our preconceptions of nature. Published on the occasion of an eponymous exhibition at Dunkers kulturhus in Helsingborg. Thanks to Art and Theory PublishingĀ (Stockholm).
80 pages, 28 x 24 cm, hardback,Ā Art and Theory Publishing (Stockholm).
Ā
