Mark Kremer ā Beautiful Madness: Art Writing as Art Curating
Curating exhibitions and āart writingā are closely related: both activities construct a meaningful narrative about artefacts and artists, both interact with a public, viewers/readers; both make space for the experience of art objects. For their work, curators and art writers tap the primary source: the living artist, their work and world. Both cherish a proximity to the maker, for it allows them to delve into artistic processes, consider things in a state of becoming. An essential tool for curators and art writers alike is the dialogue with the artist.
Mark Kremer has been writing, curating, teaching, and interacting with artists for decades.Ā Beautiful MadnessĀ is an accumulation of his writings on contemporary art (1993ā2023). The book gathers pieces along lines of affinity, themes, and attitudes, structured in five topics: Trace; Gesture; Rudiment; Polyphony; Fortitude. It mirrors his experiences with art curating, writing, thinking and is of value to anybody who wants to sharpen their pen, and rethink what curating might mean.
416 pages, 23.4 x 16.5 cm, softcover, Valiz (Amsterdam).
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Mark Kremer ā Beautiful Madness: Art Writing as Art Curating
Curating exhibitions and āart writingā are closely related: both activities construct a meaningful narrative about artefacts and artists, both interact with a public, viewers/readers; both make space for the experience of art objects. For their work, curators and art writers tap the primary source: the living artist, their work and world. Both cherish a proximity to the maker, for it allows them to delve into artistic processes, consider things in a state of becoming. An essential tool for curators and art writers alike is the dialogue with the artist.
Mark Kremer has been writing, curating, teaching, and interacting with artists for decades.Ā Beautiful MadnessĀ is an accumulation of his writings on contemporary art (1993ā2023). The book gathers pieces along lines of affinity, themes, and attitudes, structured in five topics: Trace; Gesture; Rudiment; Polyphony; Fortitude. It mirrors his experiences with art curating, writing, thinking and is of value to anybody who wants to sharpen their pen, and rethink what curating might mean.
416 pages, 23.4 x 16.5 cm, softcover, Valiz (Amsterdam).
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Curating exhibitions and āart writingā are closely related: both activities construct a meaningful narrative about artefacts and artists, both interact with a public, viewers/readers; both make space for the experience of art objects. For their work, curators and art writers tap the primary source: the living artist, their work and world. Both cherish a proximity to the maker, for it allows them to delve into artistic processes, consider things in a state of becoming. An essential tool for curators and art writers alike is the dialogue with the artist.
Mark Kremer has been writing, curating, teaching, and interacting with artists for decades.Ā Beautiful MadnessĀ is an accumulation of his writings on contemporary art (1993ā2023). The book gathers pieces along lines of affinity, themes, and attitudes, structured in five topics: Trace; Gesture; Rudiment; Polyphony; Fortitude. It mirrors his experiences with art curating, writing, thinking and is of value to anybody who wants to sharpen their pen, and rethink what curating might mean.
416 pages, 23.4 x 16.5 cm, softcover, Valiz (Amsterdam).
