
Wolfgang Tillmans - On The Verge Of Visibility
With the exhibition On the Verge of Visibility at the Serralves Museum of Contemporary Art, German artist and photographer Wolfgang Tillmans focuses on border zones and liminal states, trademarks of his recent work. Tillmans has become increasingly interested in the chemical foundations of photographic material, as well as its haptic and spatial possibilities, creating works without a camera in the darkroom that present photography as a self-referential medium. In this way, Tillmans engenders an experimental ground for the creation of a new type of image structure. In this catalogue, these “abstract” works appear in juxtaposition to figurative photographs. Published by Serralves Museum (Porto).
96 pages, 23 x 32 cm, paperback, Serralves Museum (Porto).Â
Original: $22.82
-65%$22.82
$7.99More Images











Wolfgang Tillmans - On The Verge Of Visibility
With the exhibition On the Verge of Visibility at the Serralves Museum of Contemporary Art, German artist and photographer Wolfgang Tillmans focuses on border zones and liminal states, trademarks of his recent work. Tillmans has become increasingly interested in the chemical foundations of photographic material, as well as its haptic and spatial possibilities, creating works without a camera in the darkroom that present photography as a self-referential medium. In this way, Tillmans engenders an experimental ground for the creation of a new type of image structure. In this catalogue, these “abstract” works appear in juxtaposition to figurative photographs. Published by Serralves Museum (Porto).
96 pages, 23 x 32 cm, paperback, Serralves Museum (Porto).Â
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
With the exhibition On the Verge of Visibility at the Serralves Museum of Contemporary Art, German artist and photographer Wolfgang Tillmans focuses on border zones and liminal states, trademarks of his recent work. Tillmans has become increasingly interested in the chemical foundations of photographic material, as well as its haptic and spatial possibilities, creating works without a camera in the darkroom that present photography as a self-referential medium. In this way, Tillmans engenders an experimental ground for the creation of a new type of image structure. In this catalogue, these “abstract” works appear in juxtaposition to figurative photographs. Published by Serralves Museum (Porto).
96 pages, 23 x 32 cm, paperback, Serralves Museum (Porto).Â























