What They Saw: Historical Photobooks by Women, 1843-1999
By presenting a diverse geographic and ethnic selection, this anthology interprets the concept of the photobook in the broadest sense possible. From classic bound books and portfolios, to unpublished works, zines, and scrapbooks, it documents well-known publications, such as Germaine Krullâs MĂ©tal (1928) and Diane Arbus: An Aperture Monograph (1972), and relatively unknown items, like Eslanda Cardozo Goode Robesonâs African Journey (1945) and Eiko Yamazawaâs Far and Near (1962). Moreover, it addresses glaring gaps and omissions, especially the lack of access, support, and funding for photobooks by non-Western women and women of colour.
352 pages, 24 x 30 cm, softcover, 10x10 Photobooks (New York).
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What They Saw: Historical Photobooks by Women, 1843-1999
By presenting a diverse geographic and ethnic selection, this anthology interprets the concept of the photobook in the broadest sense possible. From classic bound books and portfolios, to unpublished works, zines, and scrapbooks, it documents well-known publications, such as Germaine Krullâs MĂ©tal (1928) and Diane Arbus: An Aperture Monograph (1972), and relatively unknown items, like Eslanda Cardozo Goode Robesonâs African Journey (1945) and Eiko Yamazawaâs Far and Near (1962). Moreover, it addresses glaring gaps and omissions, especially the lack of access, support, and funding for photobooks by non-Western women and women of colour.
352 pages, 24 x 30 cm, softcover, 10x10 Photobooks (New York).
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By presenting a diverse geographic and ethnic selection, this anthology interprets the concept of the photobook in the broadest sense possible. From classic bound books and portfolios, to unpublished works, zines, and scrapbooks, it documents well-known publications, such as Germaine Krullâs MĂ©tal (1928) and Diane Arbus: An Aperture Monograph (1972), and relatively unknown items, like Eslanda Cardozo Goode Robesonâs African Journey (1945) and Eiko Yamazawaâs Far and Near (1962). Moreover, it addresses glaring gaps and omissions, especially the lack of access, support, and funding for photobooks by non-Western women and women of colour.
352 pages, 24 x 30 cm, softcover, 10x10 Photobooks (New York).
