Wang Yuyang: Chaosmosis
The catalogue Wang Yuyang: Chaosmosis follows the eponymous exhibition held at Shenzen Art Museum. Focused on techno-art, Wang Yuyang’s work explores the relationships between technology and art, nature and artificiality, material and immaterial, employing an interdisciplinary and multimedia approach. The artist’s portfolio spans various fields such as artificial intelligence, genetic engineering, digital media, and mechanical devices.
Featuring a rich selection of artwork images and installation views, along with insightful contributions by Professors Zhang Ga, Siegfried Zielinski, Caroline A. Jones, Mark B. N. Hansen, and curator Rudolf Frieling, this publication offers a deep view on Wang’s practice and innovative research.
144 pages, 21.5 Ă— 28.5 cm, hardcover, Mousse (Milan).
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Wang Yuyang: Chaosmosis
The catalogue Wang Yuyang: Chaosmosis follows the eponymous exhibition held at Shenzen Art Museum. Focused on techno-art, Wang Yuyang’s work explores the relationships between technology and art, nature and artificiality, material and immaterial, employing an interdisciplinary and multimedia approach. The artist’s portfolio spans various fields such as artificial intelligence, genetic engineering, digital media, and mechanical devices.
Featuring a rich selection of artwork images and installation views, along with insightful contributions by Professors Zhang Ga, Siegfried Zielinski, Caroline A. Jones, Mark B. N. Hansen, and curator Rudolf Frieling, this publication offers a deep view on Wang’s practice and innovative research.
144 pages, 21.5 Ă— 28.5 cm, hardcover, Mousse (Milan).
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The catalogue Wang Yuyang: Chaosmosis follows the eponymous exhibition held at Shenzen Art Museum. Focused on techno-art, Wang Yuyang’s work explores the relationships between technology and art, nature and artificiality, material and immaterial, employing an interdisciplinary and multimedia approach. The artist’s portfolio spans various fields such as artificial intelligence, genetic engineering, digital media, and mechanical devices.
Featuring a rich selection of artwork images and installation views, along with insightful contributions by Professors Zhang Ga, Siegfried Zielinski, Caroline A. Jones, Mark B. N. Hansen, and curator Rudolf Frieling, this publication offers a deep view on Wang’s practice and innovative research.
144 pages, 21.5 Ă— 28.5 cm, hardcover, Mousse (Milan).
