Thomas Min - The Perfect Document
Every conceivable object—from an ordinary thing to a readymade that is presented in an artistic context or an intentionally constructed artefact—once probably had a photographic pendant, either as a document or an artistic interpretation. On the one hand it’s a lovely and even comforting idea that things are given a second life, but on the other hand it’s a depressing thought that reveals something about our obsession to portray. Beautifully published by Art Paper Editions (Ghent).
44 pages, 20 x 28 cm, paperback, Art Paper Editions (Ghent).Â
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Thomas Min - The Perfect Document
Every conceivable object—from an ordinary thing to a readymade that is presented in an artistic context or an intentionally constructed artefact—once probably had a photographic pendant, either as a document or an artistic interpretation. On the one hand it’s a lovely and even comforting idea that things are given a second life, but on the other hand it’s a depressing thought that reveals something about our obsession to portray. Beautifully published by Art Paper Editions (Ghent).
44 pages, 20 x 28 cm, paperback, Art Paper Editions (Ghent).Â
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Every conceivable object—from an ordinary thing to a readymade that is presented in an artistic context or an intentionally constructed artefact—once probably had a photographic pendant, either as a document or an artistic interpretation. On the one hand it’s a lovely and even comforting idea that things are given a second life, but on the other hand it’s a depressing thought that reveals something about our obsession to portray. Beautifully published by Art Paper Editions (Ghent).
44 pages, 20 x 28 cm, paperback, Art Paper Editions (Ghent).Â
