Tara: Then and Now, Here and There
Edited by Karolina Jakaitė and Deimantė Jasiulevičiūtė
Tara, Lithuanian for container or packaging, was a nickname given by artists working in the graphic design field for their place of employment, the Experimental Package Design Bureau, which was established in the early 1960s in Soviet-occupied Lithuania. It was related to the modernization processes, the growth of production, the increasing range of goods, the Soviet 'Art for Everyday Life' programme, and the objectives of the Cold War. During its most productive period (between 1964 and 1984) the bureau employed more than fifty designers, who created the aesthetics for everyday products in Lithuania. The names of many of the designers have been lost, but on the back of intensive research by the editors, their work will be showcased in this comprehensive book. Its almost 350 illustrations guide us playfully through a glossary that serves to conceptualise Tara’s narratives, stories, and identities.
308 pages, 21 x 21 cm, softcover, Spector Books (Leipzig).
Original: $44.92
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Tara: Then and Now, Here and There
Edited by Karolina Jakaitė and Deimantė Jasiulevičiūtė
Tara, Lithuanian for container or packaging, was a nickname given by artists working in the graphic design field for their place of employment, the Experimental Package Design Bureau, which was established in the early 1960s in Soviet-occupied Lithuania. It was related to the modernization processes, the growth of production, the increasing range of goods, the Soviet 'Art for Everyday Life' programme, and the objectives of the Cold War. During its most productive period (between 1964 and 1984) the bureau employed more than fifty designers, who created the aesthetics for everyday products in Lithuania. The names of many of the designers have been lost, but on the back of intensive research by the editors, their work will be showcased in this comprehensive book. Its almost 350 illustrations guide us playfully through a glossary that serves to conceptualise Tara’s narratives, stories, and identities.
308 pages, 21 x 21 cm, softcover, Spector Books (Leipzig).
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Edited by Karolina Jakaitė and Deimantė Jasiulevičiūtė
Tara, Lithuanian for container or packaging, was a nickname given by artists working in the graphic design field for their place of employment, the Experimental Package Design Bureau, which was established in the early 1960s in Soviet-occupied Lithuania. It was related to the modernization processes, the growth of production, the increasing range of goods, the Soviet 'Art for Everyday Life' programme, and the objectives of the Cold War. During its most productive period (between 1964 and 1984) the bureau employed more than fifty designers, who created the aesthetics for everyday products in Lithuania. The names of many of the designers have been lost, but on the back of intensive research by the editors, their work will be showcased in this comprehensive book. Its almost 350 illustrations guide us playfully through a glossary that serves to conceptualise Tara’s narratives, stories, and identities.
308 pages, 21 x 21 cm, softcover, Spector Books (Leipzig).
