Richard Mosse ā The Castle
The CastleĀ is a meticulous documentation of refugee camps and staging sites along mass migration routes into the European Union via Turkey from the Middle East and Central Asia. The result of numerous preparatory visits, often revealing changing immigration policy, Mosse has filmed each site from high elevation to reveal camps that are frequently closed, off-limits or restricted to photographers. By attaching a thermographic video camera designed for long-range border enforcement and insurgent detection to a robotic motion control arm, Mosse has gathered the source footage used to composite the resulting āheat mapsā. These durational photographs are thermal panoramas made up of hundreds, or sometimes thousands, of overlapping ācellsā or individual frames, a truncated spatio-temporal form that speaks to the lived experience of refugees indefinitely awaiting asylum and trapped in a Byzantine state of limbo.
232 pages, hardcover, 32 x 24.5 cm,Ā MACKĀ (London).
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Richard Mosse ā The Castle
The CastleĀ is a meticulous documentation of refugee camps and staging sites along mass migration routes into the European Union via Turkey from the Middle East and Central Asia. The result of numerous preparatory visits, often revealing changing immigration policy, Mosse has filmed each site from high elevation to reveal camps that are frequently closed, off-limits or restricted to photographers. By attaching a thermographic video camera designed for long-range border enforcement and insurgent detection to a robotic motion control arm, Mosse has gathered the source footage used to composite the resulting āheat mapsā. These durational photographs are thermal panoramas made up of hundreds, or sometimes thousands, of overlapping ācellsā or individual frames, a truncated spatio-temporal form that speaks to the lived experience of refugees indefinitely awaiting asylum and trapped in a Byzantine state of limbo.
232 pages, hardcover, 32 x 24.5 cm,Ā MACKĀ (London).
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The CastleĀ is a meticulous documentation of refugee camps and staging sites along mass migration routes into the European Union via Turkey from the Middle East and Central Asia. The result of numerous preparatory visits, often revealing changing immigration policy, Mosse has filmed each site from high elevation to reveal camps that are frequently closed, off-limits or restricted to photographers. By attaching a thermographic video camera designed for long-range border enforcement and insurgent detection to a robotic motion control arm, Mosse has gathered the source footage used to composite the resulting āheat mapsā. These durational photographs are thermal panoramas made up of hundreds, or sometimes thousands, of overlapping ācellsā or individual frames, a truncated spatio-temporal form that speaks to the lived experience of refugees indefinitely awaiting asylum and trapped in a Byzantine state of limbo.
232 pages, hardcover, 32 x 24.5 cm,Ā MACKĀ (London).
