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Richard Hollis - Designs for the Whitechapel
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Richard Hollis - Designs for the Whitechapel

Richard Hollis - Designs for the Whitechapel

This will be the last title published byĀ Hyphen PressĀ (London).Ā Richard HollisĀ was the graphic designer for London's Whitechapel Art Gallery in the years 1969-73 and 1978-85. The book reproduces much of what was printed for Whitechapel during the two periods in which Hollis worked for the gallery.Ā Christopher Wilson's monograph is an exemplary examination of a body of graphic design. This book matches the spirit of the work it describes: active, passionate, aesthetically refined, and committed to getting things right. As in Hollis’s work, ā€˜design’ here is a verb as much as a noun.

400 pages, 24 x 17 cm, softcover, Hyphen Press (London).Ā 
$13.72

Original: $39.21

-65%
Richard Hollis - Designs for the Whitechapel—

$39.21

$13.72

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Richard Hollis - Designs for the Whitechapel

This will be the last title published byĀ Hyphen PressĀ (London).Ā Richard HollisĀ was the graphic designer for London's Whitechapel Art Gallery in the years 1969-73 and 1978-85. The book reproduces much of what was printed for Whitechapel during the two periods in which Hollis worked for the gallery.Ā Christopher Wilson's monograph is an exemplary examination of a body of graphic design. This book matches the spirit of the work it describes: active, passionate, aesthetically refined, and committed to getting things right. As in Hollis’s work, ā€˜design’ here is a verb as much as a noun.

400 pages, 24 x 17 cm, softcover, Hyphen Press (London).Ā 

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This will be the last title published byĀ Hyphen PressĀ (London).Ā Richard HollisĀ was the graphic designer for London's Whitechapel Art Gallery in the years 1969-73 and 1978-85. The book reproduces much of what was printed for Whitechapel during the two periods in which Hollis worked for the gallery.Ā Christopher Wilson's monograph is an exemplary examination of a body of graphic design. This book matches the spirit of the work it describes: active, passionate, aesthetically refined, and committed to getting things right. As in Hollis’s work, ā€˜design’ here is a verb as much as a noun.

400 pages, 24 x 17 cm, softcover, Hyphen Press (London).Ā 

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