
Philip Metten â Five Works
Combining a genuine interest in contemporary and historical architecture with a desire to make sculpture functional, these five projects form a distinct body of work within Philip Mettenâs practice: âBarâ (2013), â153. Stantonâ (2015), âThe Corner Showâ (2015), âCinemaâ (2017), and âEssenâ (2016â2021). Wouter Davidtsâs analysis of âUntitledâ (2014) sets the tone, a work that seems to anticipate the complex interplay between drawing, sculpture, and architecture apparent in Mettenâs other projects, where he gives spaces with a distinct social programme and scale a sculptural transformation. With photos by Jan Kempenaers and drawings by Kris Kimpe and Samyra Moumouh.
88 pages, 24 x 32 cm, hardcover, Roma Publications (Amsterdam).
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Philip Metten â Five Works
Combining a genuine interest in contemporary and historical architecture with a desire to make sculpture functional, these five projects form a distinct body of work within Philip Mettenâs practice: âBarâ (2013), â153. Stantonâ (2015), âThe Corner Showâ (2015), âCinemaâ (2017), and âEssenâ (2016â2021). Wouter Davidtsâs analysis of âUntitledâ (2014) sets the tone, a work that seems to anticipate the complex interplay between drawing, sculpture, and architecture apparent in Mettenâs other projects, where he gives spaces with a distinct social programme and scale a sculptural transformation. With photos by Jan Kempenaers and drawings by Kris Kimpe and Samyra Moumouh.
88 pages, 24 x 32 cm, hardcover, Roma Publications (Amsterdam).
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Combining a genuine interest in contemporary and historical architecture with a desire to make sculpture functional, these five projects form a distinct body of work within Philip Mettenâs practice: âBarâ (2013), â153. Stantonâ (2015), âThe Corner Showâ (2015), âCinemaâ (2017), and âEssenâ (2016â2021). Wouter Davidtsâs analysis of âUntitledâ (2014) sets the tone, a work that seems to anticipate the complex interplay between drawing, sculpture, and architecture apparent in Mettenâs other projects, where he gives spaces with a distinct social programme and scale a sculptural transformation. With photos by Jan Kempenaers and drawings by Kris Kimpe and Samyra Moumouh.
88 pages, 24 x 32 cm, hardcover, Roma Publications (Amsterdam).























