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Oliver Hartung – Iran, A Picture Book
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Oliver Hartung – Iran, A Picture Book

Oliver Hartung – Iran, A Picture Book

Since the 1979 revolution, Iran has developed its own image culture, with public space serving primarily as a transit zone and a screen where state-sanctioned religious ideology is projected. Pride of place is given to memorials to the first Gulf war (the Iran-Iraq War of 1980–88), which is part of the founding myth of the Islamic Republic. Between 2011 and 2014 Oliver Hartung produced a typological series of images depicting monuments, murals, architecture, and war cemeteries. In it he creates a portrait of an exceptionally photogenic country that is nevertheless largely unknown in the West: in Damghan a colossal ear of wheat acts as a street lamp and in Isfahan a hand grenade with an Internet symbol suggests the potential risks inherent in the world wide web. Published by Spector Books (Leipzig).

340 pages, 22 x 31 cm, softcover, Spector Books (Leipzig). 

$16.72

Original: $47.77

-65%
Oliver Hartung – Iran, A Picture Book

$47.77

$16.72

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Oliver Hartung – Iran, A Picture Book

Since the 1979 revolution, Iran has developed its own image culture, with public space serving primarily as a transit zone and a screen where state-sanctioned religious ideology is projected. Pride of place is given to memorials to the first Gulf war (the Iran-Iraq War of 1980–88), which is part of the founding myth of the Islamic Republic. Between 2011 and 2014 Oliver Hartung produced a typological series of images depicting monuments, murals, architecture, and war cemeteries. In it he creates a portrait of an exceptionally photogenic country that is nevertheless largely unknown in the West: in Damghan a colossal ear of wheat acts as a street lamp and in Isfahan a hand grenade with an Internet symbol suggests the potential risks inherent in the world wide web. Published by Spector Books (Leipzig).

340 pages, 22 x 31 cm, softcover, Spector Books (Leipzig). 

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Since the 1979 revolution, Iran has developed its own image culture, with public space serving primarily as a transit zone and a screen where state-sanctioned religious ideology is projected. Pride of place is given to memorials to the first Gulf war (the Iran-Iraq War of 1980–88), which is part of the founding myth of the Islamic Republic. Between 2011 and 2014 Oliver Hartung produced a typological series of images depicting monuments, murals, architecture, and war cemeteries. In it he creates a portrait of an exceptionally photogenic country that is nevertheless largely unknown in the West: in Damghan a colossal ear of wheat acts as a street lamp and in Isfahan a hand grenade with an Internet symbol suggests the potential risks inherent in the world wide web. Published by Spector Books (Leipzig).

340 pages, 22 x 31 cm, softcover, Spector Books (Leipzig). 

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