Oase 100: The Architecture of the Journal
The 100th issue of OASE takes the journalâs long-standing collaboration with its graphic designer Karel Martens as a starting point to explore the relationship between architecture journals and graphic design. In doing so, it challenges the conventional idea that architecture journals are mere carriers of information, showing instead how these journals play a defining role in the message they convey. Adhering to Marshall McLuhanâs famous maxim âthe medium is the messageâ, it considers the graphic space of the journal, its materiality, its production, and the physical experience of reading.
288 pages, 17 x 24 cm, paperback, Nai010 (Rotterdam).
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Oase 100: The Architecture of the Journal
The 100th issue of OASE takes the journalâs long-standing collaboration with its graphic designer Karel Martens as a starting point to explore the relationship between architecture journals and graphic design. In doing so, it challenges the conventional idea that architecture journals are mere carriers of information, showing instead how these journals play a defining role in the message they convey. Adhering to Marshall McLuhanâs famous maxim âthe medium is the messageâ, it considers the graphic space of the journal, its materiality, its production, and the physical experience of reading.
288 pages, 17 x 24 cm, paperback, Nai010 (Rotterdam).
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The 100th issue of OASE takes the journalâs long-standing collaboration with its graphic designer Karel Martens as a starting point to explore the relationship between architecture journals and graphic design. In doing so, it challenges the conventional idea that architecture journals are mere carriers of information, showing instead how these journals play a defining role in the message they convey. Adhering to Marshall McLuhanâs famous maxim âthe medium is the messageâ, it considers the graphic space of the journal, its materiality, its production, and the physical experience of reading.
288 pages, 17 x 24 cm, paperback, Nai010 (Rotterdam).
