Nick Pinkerton – Goodbye, Dragon Inn
Is cinema really dead? As movie houses close and corporations dominate, the art form is at risk of changing beyond recognition. In this wide-ranging and elegiac essay, Nick Pinkerton takes a deep dive into Tsai Ming-liang’s 2003 film Goodbye, Dragon Inn, a modern classic haunted by the ghosts and portents of a culture in flux.
192 pages, 10.5 x 15 cm, paperback, Fireflies Press (Melbourne / Berlin).
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Nick Pinkerton – Goodbye, Dragon Inn
Is cinema really dead? As movie houses close and corporations dominate, the art form is at risk of changing beyond recognition. In this wide-ranging and elegiac essay, Nick Pinkerton takes a deep dive into Tsai Ming-liang’s 2003 film Goodbye, Dragon Inn, a modern classic haunted by the ghosts and portents of a culture in flux.
192 pages, 10.5 x 15 cm, paperback, Fireflies Press (Melbourne / Berlin).
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Is cinema really dead? As movie houses close and corporations dominate, the art form is at risk of changing beyond recognition. In this wide-ranging and elegiac essay, Nick Pinkerton takes a deep dive into Tsai Ming-liang’s 2003 film Goodbye, Dragon Inn, a modern classic haunted by the ghosts and portents of a culture in flux.
192 pages, 10.5 x 15 cm, paperback, Fireflies Press (Melbourne / Berlin).
