Max Neuhaus - Program Notes
Max Neuhausā Program Notes records the aphoristic statements of the innovative sound artist as he redefined the boundaries of his new audio practice. Seeking to eschew the āsmall area music [had] been concentrating on for the past several hundred years,ā Neuhaus consciously relocated his work in the late ā60s to what he deemed āthe realm of spaceā as opposed to that of timeāchoosing to present his music in public and communal settings, decidedly outside of the āproscenium situation.ā This short pamphlet was initially published in 1974 by York University Press.
Max Neuhaus (b. 1939 ā 2009) began his career as a percussionist and experimental musician in the late ā50s, working with the likes of John Cage and Karlheinz Stockhausen. By the mid-ā60s however, Neuhaus became increasingly interested in the broader realm of sound, eventually becoming a pioneer in the field of sound art. His sound installations are permanently installed in New Yorkās Times Square, at Dia Beacon, and at Houstonās Menil Collection. Published by Primary Information (Brooklyn).Ā
32 pages, 21 x 13 cm, paperback, Primary Information (Brooklyn).Ā
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Max Neuhaus - Program Notes
Max Neuhausā Program Notes records the aphoristic statements of the innovative sound artist as he redefined the boundaries of his new audio practice. Seeking to eschew the āsmall area music [had] been concentrating on for the past several hundred years,ā Neuhaus consciously relocated his work in the late ā60s to what he deemed āthe realm of spaceā as opposed to that of timeāchoosing to present his music in public and communal settings, decidedly outside of the āproscenium situation.ā This short pamphlet was initially published in 1974 by York University Press.
Max Neuhaus (b. 1939 ā 2009) began his career as a percussionist and experimental musician in the late ā50s, working with the likes of John Cage and Karlheinz Stockhausen. By the mid-ā60s however, Neuhaus became increasingly interested in the broader realm of sound, eventually becoming a pioneer in the field of sound art. His sound installations are permanently installed in New Yorkās Times Square, at Dia Beacon, and at Houstonās Menil Collection. Published by Primary Information (Brooklyn).Ā
32 pages, 21 x 13 cm, paperback, Primary Information (Brooklyn).Ā
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Max Neuhausā Program Notes records the aphoristic statements of the innovative sound artist as he redefined the boundaries of his new audio practice. Seeking to eschew the āsmall area music [had] been concentrating on for the past several hundred years,ā Neuhaus consciously relocated his work in the late ā60s to what he deemed āthe realm of spaceā as opposed to that of timeāchoosing to present his music in public and communal settings, decidedly outside of the āproscenium situation.ā This short pamphlet was initially published in 1974 by York University Press.
Max Neuhaus (b. 1939 ā 2009) began his career as a percussionist and experimental musician in the late ā50s, working with the likes of John Cage and Karlheinz Stockhausen. By the mid-ā60s however, Neuhaus became increasingly interested in the broader realm of sound, eventually becoming a pioneer in the field of sound art. His sound installations are permanently installed in New Yorkās Times Square, at Dia Beacon, and at Houstonās Menil Collection. Published by Primary Information (Brooklyn).Ā
32 pages, 21 x 13 cm, paperback, Primary Information (Brooklyn).Ā
