
Masahisa Fukase - Hibi
Hibi literally comprises a series of street photographs by renowned Japanese photographer Masahisa Fukase. Each of the black and white images painstakingly attend to the roadâs surface â the worn road-markings, the fading lines and arrows eroded by the cityâs innumerable inhabitants, a web of fissures in the asphalt. In 1992, Fukase printed and painted the works for a solo exhibition, 'Private Scenes â92', held at Nikon Salon in Tokyo. He overlaid a set of bromide prints with fluid drawings in brightly coloured inks and on every image the physical presence of the artist is traced, a shadow-presence which seems to offer a reading, an interpretation but one that can never be fully resolved. Published by MACK (London).Â
240 pages, 16 cm x 26 cm, hardcover, MACK (London).Â
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Masahisa Fukase - Hibi
Hibi literally comprises a series of street photographs by renowned Japanese photographer Masahisa Fukase. Each of the black and white images painstakingly attend to the roadâs surface â the worn road-markings, the fading lines and arrows eroded by the cityâs innumerable inhabitants, a web of fissures in the asphalt. In 1992, Fukase printed and painted the works for a solo exhibition, 'Private Scenes â92', held at Nikon Salon in Tokyo. He overlaid a set of bromide prints with fluid drawings in brightly coloured inks and on every image the physical presence of the artist is traced, a shadow-presence which seems to offer a reading, an interpretation but one that can never be fully resolved. Published by MACK (London).Â
240 pages, 16 cm x 26 cm, hardcover, MACK (London).Â
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Hibi literally comprises a series of street photographs by renowned Japanese photographer Masahisa Fukase. Each of the black and white images painstakingly attend to the roadâs surface â the worn road-markings, the fading lines and arrows eroded by the cityâs innumerable inhabitants, a web of fissures in the asphalt. In 1992, Fukase printed and painted the works for a solo exhibition, 'Private Scenes â92', held at Nikon Salon in Tokyo. He overlaid a set of bromide prints with fluid drawings in brightly coloured inks and on every image the physical presence of the artist is traced, a shadow-presence which seems to offer a reading, an interpretation but one that can never be fully resolved. Published by MACK (London).Â
240 pages, 16 cm x 26 cm, hardcover, MACK (London).Â























