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Lou Stoppard (ed.) – Exteriors: Annie Ernaux and Photography
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Lou Stoppard (ed.) – Exteriors: Annie Ernaux and Photography

Lou Stoppard (ed.) – Exteriors: Annie Ernaux and Photography

‘Committing to paper the movements, postures, and words of the people I meet gives me the illusion that I am close to them. I don’t speak to them, I only watch them and listen to them. Yet the emotions they arouse in me are real. I may also be trying to discover something about myself through them, their attitudes or their conversations. (Sitting opposite someone in the MĂ©tro, I often ask myself, “Why am I not that woman?”)’ Annie Ernaux

Exteriors: Annie Ernaux and Photography brings together the celebrated writing of Annie Ernaux, winner of the Nobel Prize for Literature, with photographs from Maison EuropĂ©enne de la Photographie’s collection by photographers including Harry Callahan, Claude Dityvon, DolorĂšs Marat, Daidƍ Moriyama, Janine NiĂ©pce, Issei Suda, Henry Wessel, and Bernard Pierre Wolff.

Taking Ernaux’s unique artistic endeavour to ‘describe reality as through the eyes of a photographer and to preserve the mystery and opacity of the lives I encountered’, this project by writer and curator Lou Stoppard uncovers the profound ways the written and visual image can inform and inflect on one another. In doing so, it proposes a new way of thinking about literature and photography, and the ways in which shared themes – such as class, travel, social stereotypes, and individual identity within the modern urban environment – might be explored between these two forms.

144 pages, 15 x 21cm, embossed hardcover, MACK (London).
$41.35
Lou Stoppard (ed.) – Exteriors: Annie Ernaux and Photography—
$41.35

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Lou Stoppard (ed.) – Exteriors: Annie Ernaux and Photography

‘Committing to paper the movements, postures, and words of the people I meet gives me the illusion that I am close to them. I don’t speak to them, I only watch them and listen to them. Yet the emotions they arouse in me are real. I may also be trying to discover something about myself through them, their attitudes or their conversations. (Sitting opposite someone in the MĂ©tro, I often ask myself, “Why am I not that woman?”)’ Annie Ernaux

Exteriors: Annie Ernaux and Photography brings together the celebrated writing of Annie Ernaux, winner of the Nobel Prize for Literature, with photographs from Maison EuropĂ©enne de la Photographie’s collection by photographers including Harry Callahan, Claude Dityvon, DolorĂšs Marat, Daidƍ Moriyama, Janine NiĂ©pce, Issei Suda, Henry Wessel, and Bernard Pierre Wolff.

Taking Ernaux’s unique artistic endeavour to ‘describe reality as through the eyes of a photographer and to preserve the mystery and opacity of the lives I encountered’, this project by writer and curator Lou Stoppard uncovers the profound ways the written and visual image can inform and inflect on one another. In doing so, it proposes a new way of thinking about literature and photography, and the ways in which shared themes – such as class, travel, social stereotypes, and individual identity within the modern urban environment – might be explored between these two forms.

144 pages, 15 x 21cm, embossed hardcover, MACK (London).

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‘Committing to paper the movements, postures, and words of the people I meet gives me the illusion that I am close to them. I don’t speak to them, I only watch them and listen to them. Yet the emotions they arouse in me are real. I may also be trying to discover something about myself through them, their attitudes or their conversations. (Sitting opposite someone in the MĂ©tro, I often ask myself, “Why am I not that woman?”)’ Annie Ernaux

Exteriors: Annie Ernaux and Photography brings together the celebrated writing of Annie Ernaux, winner of the Nobel Prize for Literature, with photographs from Maison EuropĂ©enne de la Photographie’s collection by photographers including Harry Callahan, Claude Dityvon, DolorĂšs Marat, Daidƍ Moriyama, Janine NiĂ©pce, Issei Suda, Henry Wessel, and Bernard Pierre Wolff.

Taking Ernaux’s unique artistic endeavour to ‘describe reality as through the eyes of a photographer and to preserve the mystery and opacity of the lives I encountered’, this project by writer and curator Lou Stoppard uncovers the profound ways the written and visual image can inform and inflect on one another. In doing so, it proposes a new way of thinking about literature and photography, and the ways in which shared themes – such as class, travel, social stereotypes, and individual identity within the modern urban environment – might be explored between these two forms.

144 pages, 15 x 21cm, embossed hardcover, MACK (London).
Lou Stoppard (ed.) – Exteriors: Annie Ernaux and Photography | Perimeter Books