Kris Van Dessel - Sampled History
Once a month during the renovation of De Garage, Kris Van Dessel collected a sample of rubble from the site. In the period from March 2013 to December 2014, he took 22 samples in total, each of which he carefully filtered and meticulously stored in chronological order in his atelier, their temporary resting place. These were preserved in transparent containers, which started to form a stacked representation of muted earth colours showing the geological strata of the renovation’s gradual progress. The resulting stack would not have looked out of place in an archaeological research facility. The artist’s subtle presence amid all the activity of the construction site must have appeared quite inconspicuous. This tightly rhythmic series of actions manifests itself in the solo exhibition Sampled History, in which the artist has transposed the samples to the exhibition space in one simple, geo-artistic gesture. He mixes every sample of material with a specific amount of water and applies these emulsions to the walls of the exhibition space, employing a syntax of consecutive, chronological layers.
48 pages, 23 x 24 cm, softcover, Art Paper Editions (Belgium).
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Kris Van Dessel - Sampled History
Once a month during the renovation of De Garage, Kris Van Dessel collected a sample of rubble from the site. In the period from March 2013 to December 2014, he took 22 samples in total, each of which he carefully filtered and meticulously stored in chronological order in his atelier, their temporary resting place. These were preserved in transparent containers, which started to form a stacked representation of muted earth colours showing the geological strata of the renovation’s gradual progress. The resulting stack would not have looked out of place in an archaeological research facility. The artist’s subtle presence amid all the activity of the construction site must have appeared quite inconspicuous. This tightly rhythmic series of actions manifests itself in the solo exhibition Sampled History, in which the artist has transposed the samples to the exhibition space in one simple, geo-artistic gesture. He mixes every sample of material with a specific amount of water and applies these emulsions to the walls of the exhibition space, employing a syntax of consecutive, chronological layers.
48 pages, 23 x 24 cm, softcover, Art Paper Editions (Belgium).
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Once a month during the renovation of De Garage, Kris Van Dessel collected a sample of rubble from the site. In the period from March 2013 to December 2014, he took 22 samples in total, each of which he carefully filtered and meticulously stored in chronological order in his atelier, their temporary resting place. These were preserved in transparent containers, which started to form a stacked representation of muted earth colours showing the geological strata of the renovation’s gradual progress. The resulting stack would not have looked out of place in an archaeological research facility. The artist’s subtle presence amid all the activity of the construction site must have appeared quite inconspicuous. This tightly rhythmic series of actions manifests itself in the solo exhibition Sampled History, in which the artist has transposed the samples to the exhibition space in one simple, geo-artistic gesture. He mixes every sample of material with a specific amount of water and applies these emulsions to the walls of the exhibition space, employing a syntax of consecutive, chronological layers.
48 pages, 23 x 24 cm, softcover, Art Paper Editions (Belgium).
