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Katinka Bock - Any
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Katinka Bock - Any

Katinka Bock - Any

For this book, offered in conjunction with a 2016 exhibition at Kunstmuseum Luzern, several series by German artist Katinka Bock are featured, including ā€˜SeechamƤleon’, ā€˜Winter’, and ā€˜Formen dieses Meeres’. Bock’s often inscrutable artworks, whether photographs of water, gravel and dried leaves, or oxidised surfaces, nevertheless retain a haptic quality, something which translates especially well into her objects. Besides many reproductions of artworks, the book includes installation views and a text by Thomas Boutoux, wherein he considers how we experience an artist’s work differently in the context of an exhibition opening, a condition that many find unfavourable. Thanks toĀ Roma PublicationsĀ (Amsterdam).Ā 
Ā 

90 pages, 28 x 21 cm, hardback,Ā Roma Publications (Amsterdam).

$10.48

Original: $29.94

-65%
Katinka Bock - Any—

$29.94

$10.48

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Katinka Bock - Any

For this book, offered in conjunction with a 2016 exhibition at Kunstmuseum Luzern, several series by German artist Katinka Bock are featured, including ā€˜SeechamƤleon’, ā€˜Winter’, and ā€˜Formen dieses Meeres’. Bock’s often inscrutable artworks, whether photographs of water, gravel and dried leaves, or oxidised surfaces, nevertheless retain a haptic quality, something which translates especially well into her objects. Besides many reproductions of artworks, the book includes installation views and a text by Thomas Boutoux, wherein he considers how we experience an artist’s work differently in the context of an exhibition opening, a condition that many find unfavourable. Thanks toĀ Roma PublicationsĀ (Amsterdam).Ā 
Ā 

90 pages, 28 x 21 cm, hardback,Ā Roma Publications (Amsterdam).

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For this book, offered in conjunction with a 2016 exhibition at Kunstmuseum Luzern, several series by German artist Katinka Bock are featured, including ā€˜SeechamƤleon’, ā€˜Winter’, and ā€˜Formen dieses Meeres’. Bock’s often inscrutable artworks, whether photographs of water, gravel and dried leaves, or oxidised surfaces, nevertheless retain a haptic quality, something which translates especially well into her objects. Besides many reproductions of artworks, the book includes installation views and a text by Thomas Boutoux, wherein he considers how we experience an artist’s work differently in the context of an exhibition opening, a condition that many find unfavourable. Thanks toĀ Roma PublicationsĀ (Amsterdam).Ā 
Ā 

90 pages, 28 x 21 cm, hardback,Ā Roma Publications (Amsterdam).