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Holding the Camera
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Holding the Camera

Holding the Camera

'How one tilts the camera, holds it with both hands in front of the waist. How one looks through the viewfinder, gazes one-eyed into the world. How one hides it in stockings, behind the back, and how one lets it peep out from behind the corner of a building, as though it were a detective. Holding the Camera shows a pictorial genre from the now extinct era of analogue photography. Like the dinosaurs, supposedly the victims of a violent meteorite bombardment, also these images that were once distributed a million times over in instructions and advertisements, have been erased, deleted.' – Nadine Olonetzky. Edited by Alberto Vieceli and includes an essay by Nadine Olonetzky.

304 pages, 21.1 x 28.4 cm, softcover, Spector Books (Leipzig).
$14.47

Original: $41.35

-65%
Holding the Camera—

$41.35

$14.47

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Holding the Camera

'How one tilts the camera, holds it with both hands in front of the waist. How one looks through the viewfinder, gazes one-eyed into the world. How one hides it in stockings, behind the back, and how one lets it peep out from behind the corner of a building, as though it were a detective. Holding the Camera shows a pictorial genre from the now extinct era of analogue photography. Like the dinosaurs, supposedly the victims of a violent meteorite bombardment, also these images that were once distributed a million times over in instructions and advertisements, have been erased, deleted.' – Nadine Olonetzky. Edited by Alberto Vieceli and includes an essay by Nadine Olonetzky.

304 pages, 21.1 x 28.4 cm, softcover, Spector Books (Leipzig).

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'How one tilts the camera, holds it with both hands in front of the waist. How one looks through the viewfinder, gazes one-eyed into the world. How one hides it in stockings, behind the back, and how one lets it peep out from behind the corner of a building, as though it were a detective. Holding the Camera shows a pictorial genre from the now extinct era of analogue photography. Like the dinosaurs, supposedly the victims of a violent meteorite bombardment, also these images that were once distributed a million times over in instructions and advertisements, have been erased, deleted.' – Nadine Olonetzky. Edited by Alberto Vieceli and includes an essay by Nadine Olonetzky.

304 pages, 21.1 x 28.4 cm, softcover, Spector Books (Leipzig).