Henk Peeters - From nul to zero
Henk Peeters was considered one of the most active members of the Dutch NUL movement. Together with other Dutch artists such as Jan Schoonhoven, Armando and Jan Hendrikse, he formed NUL â which later joined the international movement ZEROâ in the 1960s. As a result of growing international contacts, Peeters initiated âZero on Seaâ, an art manifestation in the summer of 1965 on a pier in Scheveningen. Peetersâ work is closely inspired by daily life and natural phenomena. By using mass-produced clinical materials such as nylon and plastic and assimilating them through processes like fire, ice, snow and mist, he aims to reinitiate the viewerâs consciousness towards his environment.
220 pages, 23 x 23cm, softcover, MER. Paper Kunsthalle (Ghent).Â
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Henk Peeters - From nul to zero
Henk Peeters was considered one of the most active members of the Dutch NUL movement. Together with other Dutch artists such as Jan Schoonhoven, Armando and Jan Hendrikse, he formed NUL â which later joined the international movement ZEROâ in the 1960s. As a result of growing international contacts, Peeters initiated âZero on Seaâ, an art manifestation in the summer of 1965 on a pier in Scheveningen. Peetersâ work is closely inspired by daily life and natural phenomena. By using mass-produced clinical materials such as nylon and plastic and assimilating them through processes like fire, ice, snow and mist, he aims to reinitiate the viewerâs consciousness towards his environment.
220 pages, 23 x 23cm, softcover, MER. Paper Kunsthalle (Ghent).Â
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Henk Peeters was considered one of the most active members of the Dutch NUL movement. Together with other Dutch artists such as Jan Schoonhoven, Armando and Jan Hendrikse, he formed NUL â which later joined the international movement ZEROâ in the 1960s. As a result of growing international contacts, Peeters initiated âZero on Seaâ, an art manifestation in the summer of 1965 on a pier in Scheveningen. Peetersâ work is closely inspired by daily life and natural phenomena. By using mass-produced clinical materials such as nylon and plastic and assimilating them through processes like fire, ice, snow and mist, he aims to reinitiate the viewerâs consciousness towards his environment.
220 pages, 23 x 23cm, softcover, MER. Paper Kunsthalle (Ghent).Â
